L.S. Dunes Packs a Sold-Out Crowd Into House of Blues’ Cambridge Room

The Cambridge Room at House of Blues Dallas was packed wall to wall with anticipation as L.S. Dunes took the stage for a night that felt like a love letter to the passionate, ever-evolving world of post-hardcore.

Derek Zanetti set the tone for the evening with an acoustic set that was equal parts protest and poetry. Just a man, a guitar, and a whole lot of heart, Zanetti immediately captured the room’s attention with his honesty, humor, and punk-as-folk storytelling. Between songs, he shared anecdotes, cracked self-deprecating jokes, and called for community, kindness, and resistance — reminding everyone that music can still be a vehicle for change, even in its simplest form.

From Indian Lakes then took the stage with a set that reminded everyone why they've maintained such a devoted following. Joey Vannucchi’s ethereal vocals floated over layered guitars and atmospheric synths, instantly pulling the crowd into his emotional world. Songs like “Stay Outside” and “The Monster” hit especially hard live, their quiet intensity building into swelling crescendos that felt tailor-made for a room this size. The crowd swayed, some even closing their eyes, clearly moved by the band's sonic vulnerability. There was an almost sacred stillness between songs — not due to lack of enthusiasm, but out of deep respect for what was unfolding.

Last but certainly not least came L.S. Dunes, a supergroup that has firmly established itself as far more than the sum of its parts. Featuring members from Circa Survive, My Chemical Romance, Coheed and Cambria, and Thursday, their set was a whirlwind of controlled chaos, soaring emotion, and unrelenting energy. Frontman Anthony Green was, as always, a force of nature — leaping, dancing, and screaming his lungs out while making it all seem effortless. The band tore through tracks from their debut Past Lives, with standouts like “Permanent Rebellion” and “Bombsquad” igniting the crowd into a frenzy of fists, sweat, and shouts.

Despite their ferocity, the band’s tightness was undeniable — Frank Iero’s razor-sharp guitar riffs, Tucker Rule’s pummeling drums, and Tim Payne’s grounding bass formed a backbone that let Green fully unleash his vocal dynamism.

The audience's enthusiasm was palpable, with fans crowding the front of the stage and singing along to every word. The synergy between the bands and the crowd created an unforgettable atmosphere that highlighted the unique appeal of live performances in intimate venues like the Cambridge Room.